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Liner notes for the revolution : the intellectual life of black feminist sound
the intellectual life of black feminist soundVerfasser: Brooks, Daphne A.
Erscheinungsort: Cambridge, Massachuesetts ; London, England
Verlag: The Belknap Press of Harvard University Press
Erscheinungsjahr: 2021
Umfang: 1 Online-Ressource (viii, 598 Seiten)
ISBN: 9780674258808 , 9780674258815
Thema: USA / Afroamerikanische Musik / Feminismus / Musikkritik / Geschichte
| Titel: | Liner notes for the revolution |
|---|---|
| Untertitel: | the intellectual life of black feminist sound |
| URL Erlt Interna: | Verlag |
| URL Erlt Info: | URL des Erstveröffentlichers |
| Erläuterung: | Volltext |
| Volltext : | https://doi.org/10.4159/9780674258808 |
| Von: | Daphne A. Brooks |
| Verfasser: | Brooks, Daphne A. |
| Erscheinungsort: | Cambridge, Massachuesetts ; London, England |
| Verlag: | The Belknap Press of Harvard University Press |
| Erscheinungsjahr: | 2021 |
| Umfang: |
1 Online-Ressource (viii, 598 Seiten) |
| Details: |
Illustrationen |
| Abstract: | An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals |
| Volltext E-Book OTH Amberg-Weiden / Provinzialbibliothek Amberg: | https://www.degruyter.com/isbn/9780674258808 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Druck-Ausgabe |
| _ISBN: | 978-0-674-05281-9 |
| ISBN: | 9780674258808 |
| ISBN: | 9780674258815 |
| DOI: | 10.4159/9780674258808 |
| Preis/Einband: | Online, PDF Online, EPUB |
| B3Kat-ID: | BV047415251 |
| Thema: |
USA ;
Afroamerikanische Musik ;
Feminismus ;
Musikkritik ;
Geschichte |
| Subject: | African American feminists African American women musicians African American women Intellectual life African American women Music History and criticism Musical criticism History United States |
| Sprache: | Englisch |
| Land: | |||a|| |o|||||||| |
| Systematik: | LS 48015 |
| Systematik: | HD 474 |
| RVK-Notation: | |
| RVK-Notation: |
